|
|
|
|
|
St Mark's Cathedral, Venice
Painting ID:: 3831
|
Walter Sickert
St Mark's Cathedral, Venice
c1896 25" x 19"
Private Collection
|
| |
|
|
|
|
|
|
|
|
|
Interior of St Mark's, Venice
Painting ID:: 3832
|
Walter Sickert
Interior of St Mark's, Venice
1896
27 1/2" x 19 3/8"
Tate Gallery, London
|
| |
|
|
|
|
|
|
|
|
|
The Old Bedford
Painting ID:: 3833
|
Walter Sickert
The Old Bedford
1897
30" x 23.75"
The Walker Art Gallery, Liverpool
|
| |
|
|
|
|
|
|
|
|
|
The Quai Duquesne and the Rue Notre Dame, Dieppe
Painting ID:: 3834
|
Walter Sickert
The Quai Duquesne and the Rue Notre Dame, Dieppe
1900
22" x 18.25"
Private Collection
|
| |
|
|
|
|
|
|
|
|
|
The Statue of Duquesne, Dieppe
Painting ID:: 3835
|
Walter Sickert
The Statue of Duquesne, Dieppe
1902
51.5" x 39.75"
The City Art Gallery, Manchester
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Walter Sickert
|
|
German
1860-1942
Walter Sickert Gallery
Walter Richard Sickert (May 31, 1860 in Munich, Germany ?C January 22, 1942 in Bath, England) was a German-born English Impressionist painter. Sickert was a cosmopolitan and eccentric who favoured ordinary people and urban scenes as his subjects
He developed a personal version of Impressionism, favouring sombre colouration. Following Degas' advice, Sickert painted in the studio, working from drawings and memory as an escape from "the tyranny of nature".[3] Sickert's earliest major works were portrayals of scenes in London music halls, often depicted from complex and ambiguous points of view, so that the spatial relationship between the audience, performer and orchestra becomes confused, as figures gesture into space and others are reflected in mirrors. The isolated rhetorical gestures of singers and actors seem to reach out to no-one in particular, and audience members are portrayed stretching and peering to see things that lie beyond the visible space. This theme of confused or failed communication between people appears frequently in his art.
By emphasising the patterns of wallpaper and architectural decorations, Sickert created abstract decorative arabesques and flattened the three-dimensional space. His music hall pictures, like Degas' paintings of dancers and caf??-concert entertainers, connect the artificiality of art itself to the conventions of theatrical performance and painted backdrops. Many of these works were exhibited at the New English Art Club, a group of French-influenced realist artists with which Sickert was associated. At this period Sickert spent much of his time in France, especially in Dieppe where his mistress, and possibly his illegitimate son, lived |
|
Related Artists::.
| CELESTI, Andrea | BELLINI, Gentile | Lorenzo Valles | |
|
